Siphiwe Mhlambi

When the spanish guitar was introduced to Africa it drew on the imaginations of artists who worked with bow instruments, and from this they drew unique styles for the guitar that have been used over the continent. Below are some of the styles we have in our collection.

Maskandi is a kind of Zulu folk music that is evolving with South African society. Ethekwini Online describes it as “The music played by the man on the move, the modern minstrel, today’s troubadour. It is the music of the man walking the long miles to court a bride, or to meet with his Chief; a means of transport. It is the music of the man who sings of his real life experiences, his daily joys and sorrows, his observations of the world. It’s the music of the man who’s got the Zulu blues.” (Wikipedia 2021)

Mbaqanga is a style of South African music with rural Zulu roots that continues to influence musicians worldwide today. The style originated in the early 1960s. (Wikipedia, 2021)

South African Jazz – The jazz scene in South Africa grew much as it did in the United States. Through performances in nightclubs, dances, and other venues, musicians had the opportunity to play music often. Musicians such as singer Sathima Bea Benjamin learned by going to nightclubs and jam sessions and waiting for opportunities to offer their talents. One unique aspect of the South African jazz scene was the appearance of individuals imitating popular artists as closely as possible because the real musician wasn’t there to perform in the area. For instance, one could find a “Cape Town Dizzy Gillespie” who would imitate not only the music, but the look and style of Dizzy. This practice created a strong environment to nurture some artists who would eventually leave South Africa and become legitimate contributors to the international jazz scene. (Wikipedia, 2021)